Part Four Project 3 :Form

Thinking about describing form of the figure I look at ‘boxes’ in the body : head, rib cage and the pelvis.  The head is a  vertical square, the rib cage a  vertical rectangular and the pelvis a horizontal rectangular. Robert Zeller, in The figurative artist’s handbook ( 2016) refers to “looking” for these boxes when […]

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Part Four Project 2 :Proportion

Project 2 Proportion Exercise 1 Quick studies with model in a comfortable position.     During this drawing I found that I was using my fingers more than the charcoal – to correct and or soften lines – I would like to focus on taking longer before putting down a line.  I also learned that […]

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Part Four Project 5: The moving figure

Project 5 The moving figure Below is a photo taken by Martine Franck – I love the movement and playfulness in this composition. Idea to focus on the motion and the shape of the movement and not detail Exercise 1  Single moving figure   drawing moving figures is challenging – It feels that getting the […]

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Part four Project 1 Fabric and Form

  29 September 2018  The figure and the head The challenge is again to put aside what we know and what we think we know as this can blind us to what we really see.  I believe that drawing with a life model gives the artist the opportunity to broaden perceptual skills.  There is the […]

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Learning reflection during Part Four

10 October 2018 Thoughts to carry with me for the rest of the course. Experimenting with art  looking at Diptych: Traditionally, diptychs were hinged like books that could be folded. In modern art, it is common for artists to create two separate panels designed to be hung next to one another. Other artists may choose […]

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Part one Theory, Art and Visual Culture

20 June 2018 Art Theories Exercise 1.0 In his book, The Construction of Social Reality, John Searle writes that there are “portions of the real world, objective facts in the world, that are only facts by human agreement. I need to make a list of 10 such ‘things’ that exist only because we believe them […]

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ASSIGNMENT ONE

PART  A “The whole technical power of painting depends on our recovery of what may be called the innocence of the eye; that is to say, a sort of childish perception of these flat stains of colour, merely as such, without consciousness of what they signify, – as a blind man would see them if […]

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ASSIGNMENT THREE

  The assignment asks of me to draw an outdoor scene of my choice – the view should also allow you to demonstrate your understanding of aerial or linear perspective. My reference to the handbag looking like a window in a previous post on perspective is a thought I would like to continue for this […]

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The Journey Begins

Thanks for joining me!  This is my learning log and blog about my studies at OCA, and the subject for this blog is Visual Studies 1: Understanding Visual Culture.  This course is divided into 5 parts which I have to work through and hand in an assignment per part.   I get the impression there will […]

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Part Three Project 5 Townscapes

18 Junie 2018 Research point Look at the work John Virtue did whilst being an associate artist in residence at the National Gallery. The context of the research is to find a theme increasingly adopted by contemporary artists who revisit the art historic subject of ‘landscape’ to offer insight into today’s fast changing society.   […]

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